(In theaters, September 2005) There are many wrong things with this film, but few of them are so annoying as the film’s false pretencions at being a psychological thriller. The first few minutes give the misleading tone: Dark snowy depressing weather, along with a protagonist on the edge of losing it all. In a reverso-The Sixth Sense counter-twist, the film tries to question the existence of a main character, leading to a too-lengthy sequence where even the viewer doubts what really shouldn’t be doubted (otherwise there wouldn’t be much of a story). Once past this interminable moment cluttered with red herrings, the film shifts in wrong gear as it becomes a straight-up thriller even more ridiculous than anything else you’re likely to see this year (well, at the possible exception of Transporter 2). Bad twists, nonsensical actions, rotten physics and a needless complicated plot kill this film even before it lands, leading to a last five minutes dominated by a growing sense of disbelief. Bad, bad film (I’m not even getting into the whole “shouldn’t she be thrown in prison?” question) which makes the similar Red Eye look like a minor work of genius. At least Red Eye didn’t take itself too seriously, and moved quickly enough that all of its faults became inconsequential. That’s clearly not the case here with this Flightplan not just gone awry, but flawed from the start.