(Second viewing, On TV, May 2016) I must have first watched Point Break on TV sometime during the mid-nineties, but revisiting the film twenty-five years later reveals a stripped-down thriller that has aged into something of an enjoyable period piece. It helps that Kathryn Bigelow’s direction is almost timeless, using both snappy editing and long shots (such as the FBI office scene) to effectively make the most of its moments. The great action sequences complement a serviceable plot template that has been copied a few times—I’m looking at you, The Fast and the Furious. Keanu Reeves is practically iconic as the standoffish Johnny Utah, while Patrick Swayze remains effortlessly cool as the antagonist. There is, as pop culture has noted in the past twenty-five years (hello, Hot Fuzz), a considerable amount of overdone melodrama in the result—but that quality, paradoxically, has helped Point Break remain distinctive even today. The early-nineties details are now charming, while the core of the film’s execution remains just as sharp today as it was then. There’s now a “remake”, but it’s not really essential viewing.