(On TV, October 2016) The original Carrie has become a pop-culture reference, but watching the film nowadays is a reminder of both how good Brian de Palma could in his prime, but also how far more fast-paced movies are nowadays. Especially teen thrillers. (The remake, which I saw immediately after this original, clocks in at half an hour shorter despite keeping most plot pieces intact.) I’ve read the Stephen King novel too long ago to faithfully evaluate whether the film is faithful to the novel (I think so), but the main draw here is the way de Palma injects some movie magic in even the simplistic framework of a teen horror movie. Witness the long shots, the split screen, the editing…. It all comes together during the infamous prom sequence. Sissy Spacek is very good as the titular Carrie, sympathetic despite ending the film as a homicidal maniac. John Travolta shows up in an early role. Otherwise, it’s a fair period piece, often far too long for its own good, and overly dramatic in portraying its central mother/daughter conflict—culminating in an overlong climax. Carrie still works thanks to great direction, and the seventies atmosphere is good for a few nostalgic throwbacks.