(On TV, October 2016) The tale of Carrie and its remake is almost identical to the one of every other classic horror film and their remake. The remake is usually faithful to the overall structure of the story, but strips away most of the original’s rougher edges and leaves a shorter, slicker but generally featureless remake. Updating the references usually doesn’t mean much for the overall film (who cares if it’s uploaded to YouTube?), while the overall better technical credentials usually mean a less bumpy viewing experience. Seen back-to-back with the original, this Carrie remake is most notable for considerably speeding up the languid pacing of the original: despite being a minute longer, it often feels more evenly interesting than the original, with fewer digressions and dead moments along the way. (Witness the way two scenes featuring the other girls are combined early on as an illustration of how today’s scripts are far more efficient.) While the film is said to go back to Stephen King’s original novel, there’s no doubt that the original film is the template on which this remake is built. Chloë Grace Moretz isn’t bad as the titular Carrie, while Julianne Moore brings considerable credibility to the mother’s role and Judy Greer gets a more substantial role than usual as the sympathetic gym teacher. Kimberley Pierce’s direction is much flatter than the original, though, which helps this remake rank as technically better but far more forgettable.