(On Cable TV, January 2017) I rarely think that movies are worth seeing solely for acting talent, but Doubt is an obvious exception, even more so now than when it was released. Meryl Streep is a national treasure, of course, and Viola Davis has always been a solid performer, but now that Philip Seymour Hoffman is gone and that Amy Adams has become a megastar, Doubt looks dangerously top-heavy with an incredibly strong cast. As befits a play brought to the screen (director John Patrick Shanley adapting his own award-winning work), the performers are the key to a dialogue-heavy drama. Every four of the leads got Oscar nominations, even Davis for a mere two scenes. Dealing with troubling allegations of abuses and what happens when beliefs (in God, in goodness, in guilt) clash together, Doubt is a drama in the purest sense, uncluttered by physicality or artifices—it could be a radio play if it tried. Visually, the film blandly re-creates a 1960s Catholic school, but the point is elsewhere. It’s certainly not an action film, but you’d be forgiven for mistaking it for a thriller when it reaches fever pitch and truly sparks with dramatic conflict. The last line is merciless in offering no comfort, moral support or resolution. This is not a film that ends as much as it lingers.