(In French, On TV, July 2017) The good news are that Assassins is a crazy movie in the best sense of the term: It’s disconnected enough from reality to be enjoyable as a big basket of overdone action sequences and familiar genre elements. The not-so-good news is that it’s not really a good movie—much of the storyline is dull and for a movie involving the Wachowskis and Brian Helgeland, it fails to capitalize on its sizzle factor. Thanks to veteran director Richard Donner, there are some good sequences here and there: the taxicab blocked-by-a-bulletproof-window duel is ingenious in the way more of the movie should have been. Sylvester Stallone and Antonio Banderas ham it up enough as competing assassins. But the best thing about Assassins may be Julianne Moore: For an actress who has such a firmly established persona of mature dignity, it’s a real treat to see her in a pre-stardom role that asks her to be trashy/techno in one sequence, then doe-eyed/cute for the rest of the film. Assassins is also the source of the delightful “Antonio Banderas’s Laptop Reaction”.gif, so there’s a tiny bit of internet meme history along the way. Assassins isn’t a major movie in any way and has already ended up as a footnote in other people’s careers, and it should be approached as such: Not as a movie expected to be good, but a grab bag of things that may be interesting.