(On DVD, June 2018) The great things about digging deeper and deeper in a hobby is that the digging eventually produces its own rewards. In my case, I’ve been watching older and older movies, and discovering new favourite actors. To have The Philadelphia Story pop up on my pile of films to watch at this point is a gift: A movie starring Katharine Hepburn and James Stewart and Cary Grant? What have I done to get such a treat? Even better: it’s a screwball comedy, fast establishing itself as one of my favourite bygone genres. I was primed for a good time and got exactly what I wanted: A fast, witty, fun romantic comedy featuring Hepburn at her most alluring, Stewart as his usual sympathetic self and Grant in a plum comic role. The script provides witty lines, great characters and a savvy understanding of the mechanics of the genre, while director George Cukor keeps things moving even as the film multiplies small subplots on the way to a satisfying conclusion. Among supporting players, Ruth Hussey is surprisingly fun as a no-nonsense photographer, while Virginia Weidler is a discovery as a sassy young sister. Still, this is a picture that belongs to Hepburn, perfectly cast as a woman struggling with goddess-hood. Both Stewart and Grant also play to their strengths, helping to make The Philadelphia Story a definitive statement about three screen legends. It still plays exceptionally well today.