(On DVD, February 2017) While I gather than Carlito’s Way was only a middling financial and critical success back in 1993, it’s one of those films that grow even better with time. I have a few theories as to why the decades have been kind to the movie. For one thing, I think it’s the kind of top-class crime thriller that were omnipresent for a while, and then not so much. So what if it’s similar to Scarface and The Untouchables? Those movies were awesome! In 2017, Carlito’s Way is a quasi-refreshing throwback to muscular crime cinema back when it was synonymous with A-class budgets rather than straight-to-video releases. It features Al Pacino in terrific younger form (sporting a glorious beard), which is best appreciated now rather than at a time when he was almost over-exposed. It benefits immensely from director Brian de Palma’ kinetic camera work, swooping and gliding into scenes, cackling as it prepares straight-up suspense sequences and delivers all of the cheap thrills that we can expect from a crime thriller. Carlito’s Way may not measure up to Scorcese, but it has strong thrills to deliver in an endearing exploitative way. David Koepp’s script cleverly packs a lot in a decent time, taking a look at a killer trying to get out of the business but predictably failing to do so. Sean Penn is almost unrecognizable (yet iconic, as per GTA: Vice City) as a completely crooked lawyer, while Penelope Ann Miller, John Leguizamo and Luis Guzman turn in good supporting performances. (Pre-stardom Viggo Mortensen even shows up in a non-glamorous role as a disabled ex-gangster) It all adds up to a slick, enjoyable crime drama the likes of which we don’t see enough these days. Carlito’s Way has grown in stature over the past quarter-decade and a fresh look at it today only confirms that it’s a strong film.