Tag Archives: Lucia Aniello

Rough Night (2017)

(On Cable TV, December 2017) Nearly twenty years ago, I had the misfortune of catching a free advance screening of Very Bad Things, a film so vile in its black humour that even a certain competency of execution couldn’t shake the stomach-churning reprehensibility of its subject matter. I bring it up because, for a horrifying moment, Rough Night seemed to be headed in more or less the same distaff direction, as a group of bachelorettes accidentally kill what they think is a male stripper and then try to cover up the crime. Despite the combined comic talents and good looks of comediennes such as Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer and Zoë Kravitz, the film seems intent of revisiting the same awful places—how are you ever going to get laughs out of that situation, with a guy bleeding to death on the floor? Fortunately, writer/director Lucia Aniello isn’t quite so sadistic and misanthropic, and as Rough Night advances, it ends up clarifying that the death was actually preemptive self-defence and so we can all have a good laugh about it. Whew. I have no qualms blowing part of the film’s third act revelations in those circumstances, as knowing how it turns out may help a few viewers make it through the film’s middle section. It will help that the actors are doing what they do best—Jillian Bell is the flamboyant centre of attraction, while Kate McKinnon brings a recognizable dose of absurdity to an eccentric character. Scarlett Johansson chooses to play her character as the level-headed one. In smaller roles, Demi Moore and Ty Burrell show up a sex-crazed neighbours. While the film does suffer from the usual excesses of contemporary R-rated comedies (far too much profanity substituting for wit or actual comedy) and loses itself in scattered subplots that could have been tightened up, my opinion of Rough Night at the end is far more positive than it would have been at the dull start or the far-too-violent middle. As an entry in the “girl comedies can be R-rated” subgenre that sprung up in the wake of Bridesmaid, it’s passable but forgettable.