(In theaters, May 2006) Sure, Tom Cruise is a loon. But now that we’ve disposed of the obvious, let’s look at Mission: Impossible 3 as a movie rather than a star vehicle. It’s certainly a different film from the first two movies in the series: Here, the team is back in action, leading to a number of crunchy heist sequences that don’t just bask in the glory of Tom Cruise. Similarly, we can sense that some care has been given to the script underlying the entire film: Director J.J. Abrams is a veteran of such TV shows as Alias, and this go-for-broke intensity is one of the most pleasant aspects of Mission: Impossible 3. As the often-ludicrous twists pile up, the film speeds up and acquires a pleasant velocity. It brings some of TV’s best tricks to the bigger-budgeted world of action movies and at least gives the illusion of doing something new. Seymour Philip Hoffman’s villain is a case in point: a role that may have been ridiculous in the hands of another actor is here exploited to its most vicious extent by an Oscar-winning actor seemingly having some fun. Even the dramatic underpinnings of the story make sense (though that’s not always the case with the details) despite overly-maudlin romantic moments and some eye-rolling twists. From the electric opening sequence to some of the best action scenes of the year (that Chesapeake Bay Bridge action sequence, complete with armed UAV and palpable desperation, is a piece of art), Mission: Impossible 3 is a crowd pleaser that delivers exactly what it intends. Heck, it even has the potential to revive a moribund franchise.