(In theaters, January 2000) It’s not often that you’re disappointed by a film that’s better than you expected. But there’s an exception to be made for Supernova, yet another cheap January sci-fi release. Already famous for a troubled production history (including directors storming off the project and removing their names from the credits), Supernova had the potential of a modern trash classic, a film so bad that audiences could actually revel in its pure awfulness. Unfortunately, Supernova is actually not-so-bad, with adequate technical values and a plot that sustains interest for the full length of the film. The only really sore spot, for me, is the interior set design, which rivals Star Trek (The Original Series) for sheer illogic and apparent cheapness. (rows of blinking colored lights? Slanted glass corridors? Come on!) Not a good film, but not a truly disgusting one, and that’s too bad.