(On TV, March 2000) Now that’s the reason why I watch Hong Kong films. Released one year before Sliding Doors and Run Lola Run, this film presents the story of two alternate universes offered to a young Hong Kong mobster. Go to Taiwan or go to the Mainland. First we see one story, then the other. But beyond the cute premise, the true fun of the film is in the sheer inventiveness of the cinematography, from a fight filmed upside-down to another in pitch darkness, only illuminated by gun flashes. The camera becomes almost a character in its own right, with some very unusual movements. The rest of the film is a black crime comedy reminiscent of Lock, Stock and Two Smoking Barrels, though skewed to Hong Kong tendencies. Worth a look, if you can find it.