(In theaters, June 2000) Every great director can make mistakes once in a while, and while Vertigo has its adherents, I can’t help but feel that Hitchcock dropped the ball with this one; it’s a story with huge structural problems and a baffling finale. This being said, it develops quite nicely, and could forever coast on the talents of Kim Novak and James Stewart. Still, there are inexcusable faults, like the disjointed nature of the film (some cutting required), the disappearance of the girl-friend character and the abrupt huh-inducing finale. It doesn’t hold up nearly as well as Hitchcock’s better films…