(In theaters, July 2000) When all will have been said and done, the biggest measure of X-Men‘s success is how it didn’t disappoint the legions of fans and hordes of non-fans that went to see it. It’s incredibly hard to make a film about iconic figures, but X-Men manages to pull it off. The script wisely focuses on only a few characters, grounds the fanciful comic elements in reality (such as the black leather uniforms rather than yellow spandex) and plays around the ever-popular theme of discrimination, almost bringing some actual thought in the process. Director Bryan Singer does a decent job on most of the film, but his action scenes clearly show his lack of experience with special effects and action editing: They feel disjointed, don’t flow nearly as well as they should and rarely use wide-angle shots that would firmly establish the action flow in viewers’ mind. Nevertheless, the film is enjoyable, features a breakout performance by Hugh Jackman (as fanboy favourite Wolverine) and delivers value for the money. Not a bad performance for a summer blockbuster.