(On TV, September 2000) This film stands halfway between director/writer Kevin Smith’s low-budget wit and Hollywood’s big-budget means. While technically, the result is far beyond the hand-camera used to film Clerks (his first feature film), the story it illustrates seems… wrong… for the means used. Don’t be mistaken; Mallrats is still filled with enough of Smith’s trademark witty dialogues, outrageously frank vignettes and tasty scenes to be entertaining for everyone. There’s just something… faintly wrong here. The happy ending, perhaps?