(In theaters, July 2003) It’s not particularly original to mix zombie films with post-apocalyptic SF, but I suppose that every generation needs its own “last man on Earth” story. Crudely shot on muddy digital video, 28 Days Later looks and feels exactly like the kind of film to acquire a cult following. Naturally, it’s also the kind of film to deserve cries of “overrated!” Certainly, it’s not all that good: Most of the film’s first half is spent hearing character say “don’t do this!” and then seeing other character do exactly that, with dire consequences. The latter half of the film slides into an unreal Ramboesque fantasy of one lone man decimating a bunch of villains. (Plus, it deals with primal topics our enlightened age would rather avoid) Director Danny Boyle adopts the stylistic philosophy that fast cutting, loud noises and grisly half-images equate terror. Alas, for some, this merely equals boredom: it will work for some and work against others. While not particularly bad nor good, 28 Days Later still holds some interest, especially if you haven’t drunk your fill of post-apocalyptic horror.