(In theaters, July 2004) I wasn’t a fan of the first film (dull, unremarkable and not quite as sophisticated as it thought it was), but this sequel is a bit better. Stepping off the event of the first film with nary a regard for the plot of Robert Ludlum’s eponymous novel, The Bourne Supremacy reprises the elements that made the success of the first film (a competent but remorseful assassin, a gritty car chase and European locations) and reheats them once more. While the story is generally more enjoyable the second time around (with some impressively close ties to the content of the first film), the direction has taken a major step backward: I don’t think that there’s a perfectly still shot in the entire film, what with its constant use of unsteadied hand-held cameras. The result is highly annoying, and quickly becomes a confusing mess as soon as the action starts. Otherwise, well, there are a few unexplained plot shortcuts (how did he obtain those cell phone numbers?) and a few lengths here and there. A solid but generally tepid thriller.