(In theaters, March 2009) What a strange, strange film this is: A mixture of impressive scenes loosely connected by a tissue of stiff characterization, convenient coincidences, and lame textbook screen-writing. It starts as a middle-of-the-road supernatural thriller, but watch out –because the last twenty minutes are pure hard-core apocalyptic Science Fiction. (Fans will know what to expect when I mention Childhood’s End and The Forge of God.) In-between, there are two stunning and vicious disaster sequences, a couple of mildly enjoyable sequences and suburban fun with power tools and fast pickup trucks. Director Alex Proyas has a number of surprises in his bag, but it’s a shame that the whole of the film can’t cohere: Nicolas Cage doesn’t help with a bland performance, and the carnival of convenient plotting does nothing to lend the film any credibility. This being said, the high points are high indeed: the subway crash is a piece of high action cinema, but the plane crash alone is an anthology piece, pieced together to form a nightmarish single shot that lasts much, much longer than anyone would expect. See it for the high points, don’t have high expectations and you may be pleasantly surprised.