The Hurt Locker (2008)

<strong class="MovieTitle">The Hurt Locker</strong> (2008)

(In theatres, July 2009): There can be such a thing as too much of a good thing, and the second hour of this film is a case in point: What starts out as a tight episodic war thriller with uncanny suspense sequences eventually loosens its grip on the audience and meanders on its way to a meaningful conclusion.  Don’t be fooled: even with its loose and predictable third act, The Hurt Locker still is one of the best action films of the year, and one of the best Iraq war movie so far.  But a better-controlled film would have been even more powerful.  Director Kathryn Bigelow makes a welcome return to the big screen and shows from the start that her action sequences can be as good as anything else: The Hurt Locker’s best moments (including the hair-raising image on the poster) are in the half-dozen action/suspense sequences putting us far too close to American bomb-defusing experts working in Baghdad.  This film justifies the whole quasi-documentary handheld-camera aesthetics to a level of clarity that other glossier filmmakers can’t even imagine: As a depiction of war-driven action, it’s as good as it gets –a fortunate achievement for a film that focuses on the adrenaline junkies for whom war is a continuous peak experience.  There are a few familiar faces among the supporting characters (including Ralph Fiennes as a foul-mouthed English mercenary), but it’s the relatively-unknown main characters that make the strongest impression: In particular, Jeremy Renner is a revelation as a loose-cannon protagonist whose motivations eventually become the crux of the film.  Despite the meandering subplots that shed a lot of energy in the latter half of the picture (and the accumulation of inaccuracies to pump up the drama at the expense of realism –how handy that one of our lead sappers is also a sniper!), The Hurt Locker remains a strong piece of cinema, and one of the rare war films about Iraq to make its point with little partisan content.  It’s both exhilarating yet realistic, reaching out to both the action-movie fans and those who think that war is hell.

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