(In theatres, August 2009): The good news about this latest film from writer/director David Twohy is that it’s a pure genre thriller working solidly within the conventions of the genre. Unfortunately, this also means that it’s a thriller working against its own audience, lying to them in order to set up a surprise third act. That shouldn’t be a surprise given the script’s meta-humour about “red snappers” and second-act twists, but it’s not so impressive when one consider the contortions the script has to inflict on itself in order to put the audience where it needs them to be. There’s a technical term for those tricks, and it’s “cheating”. This being put aside, the film in itself isn’t a bad piece of suspense cinema: Characters and handled well, the cinematography takes full advantage of its Hawaii location and Twohy understands a few things about directing action sequences. As a piece of genre cinema, A Perfect Getaway is more engrossing than most, and the cheating required in order to deliver the twist may not bother some audiences. In fact, it may be better to know in advance that there’s a twist: If you feel, watching the film, that it’s focusing on the wrong characters, well… hold on to that idea and don’t let the film trick you out of it.