(In theatres, September 2010) Who would have thought that barely seven years after the nadir of Gigli, Ben Affleck would re-emerge as a significant director of Boston-based crime dramas? Strange but true: After wowing reviewers with Gone Baby Gone, Affleck is back with another Boston thriller in The Town, this time taking a look at a gang of professional bank robbers as one of them begins a relationship with an ex-hostage of theirs. Deceptions accumulate alongside complications as the gang keeps planning heists, the FBI is tracking them closely and the lead character wants out of his own life. It’s the complex mixture of crime, action, romance and drama that makes The Town work, along with a clean direction, a good sense of place and a few capable actors. Jeremy Renner is once again remarkable as a hot-headed criminal, whereas Jon Hamm gets more than his fair share of good lines as a dogged FBI agent. The script feels refreshingly adult, full of difficult entanglements, capable performances and textured moral problems. The adaptation from Chuck Hogan’s novel is decent, although most readers will be amused to note that a movie theatre heist has been replaced by something else entirely. More significant, however, is the flattening of the FBI agent character and the far more optimistic conclusion of the film –in the end, the movie feels more superficial in general but also more satisfying in its closure. The Town isn’t flashy, though, and this may be what separates it from a longer-lasting legacy. No matter, though: it’s a good a satisfying film, and one that confirms what Affleck is now capable of accomplishing.