(In theaters, April 2011) My unexplainable love for The Fast and the Furious series suddenly gets a lot more explainable with this surprising fifth segment: Reaching well beyond the street-racing antics of the previous volumes and deeper into the criminal action/thriller mode, Fast Five manages to satisfyingly weave together plot threads and a dozen characters from the four previous films, while delivering inventive action sequences. The prologue effectively sets the tone and the film’s lack of regard for physics: thus reassured, we can enjoy the rest of the film, the over-the-top action sequences, the reunion of the series regulars and the colourful Rio de Janeiro locale. This has to be one of the best pure-action movies of the past few years: It’s snappy, it’s competent, it doesn’t take itself seriously and when it clicks, it really works. Vin Diesel growls as well as he can, and he’s joined by Dwayne Johnson for a head-on collision between two of the most credible action heroes of the moment. While the script isn’t perfect (a few lulls; a few nonsensical plot development; little refinement by way of dialogue), it’s pretty good at giving a few moments to everyone in the cast, at setting up the interesting action sequences, and even at winking at the audience: There are a number of inside jokes for series fans here, perhaps the biggest being a cut that skips over the film’s usual street-racing sequence. The cars may not be as nice at the previous films, but the action sequences are quite a bit more striking. I wish, however, that director Justin Lin would open up his action sequences a bit more, lay off the crazy editing and let the long-shots speak for themselves. (Fortunately, he’s already much better now than in the previous two films.) Don’t leave during the credits: there’s a short scene that will please series fans while setting up a promising sixth instalment.