(On-demand video, March 2012) There’s a place for everything in the universe of movie-making, including a movie-about-a-movie featuring a thespian, a star and a young man who learns better. Based on the true story of a young British man who once became Marilyn Monroe’s assistant during the shooting of a movie, My Week with Marilyn is a look at a flawed icon, a comedy about 1960s British film-making and a coming-of-age drama in which people get their heart broken “a little”. While much of the film’s noteworthiness is based on Michelle Williams’ convincing portrayal of Marilyn Monroe at the height of her stardom, the film is just as interesting as it presents the adventures of an aspiring filmmaker hired as a production assistant. Movie-making isn’t necessarily romantic, and My Week with Marilyn is perhaps at its funniest when it shows figures such as Laurence Olivier dealing with the stresses of directing a fluffy comedy production. The second half of the film evolves into a quasi-romance between Monroe and our boy protagonist, showing Monroe’s flaws and not neglecting the inexperience of the viewpoint character. The film doesn’t have to fight hard to keep viewers’ attention, and the period detail is convincing even though it’s Monroe’s personality that brings the entire story together. Not particularly deep, but intriguing enough: It’s easy to see why My Week with Marilyn earned some critical attention, and that it did so without sacrificing any of its ability to please audiences.