(On-demand Video, November 2012) Oliver Stone certainly knows how to handle criminal mayhem, and if Savages isn’t as good overall as some of its strongest individual moments may suggest, it’s a fairly strong entry in the “California noir” thriller sub-genre. Strikingly contemporary with references to legal marijuana, omnipresent technology (including criminal IT teams) and America’s latest two wars, this efficient adaptation of Don Winslow’s hard-hitting novel is a colorful blend of upstanding criminals of all stripes. Central to the tale is the happy ménage-à-trois between two dedicated drug entrepreneurs and the woman who loves them both, but Savages’ best moments come from the peripheral players: A completely corrupt DEA agent played by John Travolta, a merciless enforcer incarnated by Benicio del Toro and a powerful drug baron handled with icy grace by Salma Hayek. All of them seem to be enjoying their turn to the dark side, so much so that the nominal protagonists of the film seem to fade away. What doesn’t fade, fortunately, is Stone’s attempt to translate the energy of the novel onto film, with self-assured choices, a colorful palette and plenty of narrative forward rhythm despite Savages’ 140-minutes running time. Alas, he also chooses to end on a double-triggered ending that gives unfortunate credence to the stereotype that every ending is happier in Hollywood, ruining a perfectly adequate conclusion with one that may unsettle even happy-ending fans. (Yes, it’s sort-of-prefigured with some narrative warnings at the very beginning of the film. No, it’s still not all that effective –a more powerful film may have been produced by flipping the endings.) Also unfortunate: Blake Lively’s inert voiceovers that seem to be taken from laborious readings of trite material, and the way some subplots seem abandoned mid-way through. Still, there’s a lot to like in the way those modern criminals try to gain advantage over each other, various methods and tricks all eventually leading to a desert confrontation. It’s a bit of a treat for thriller fans looking for something a bit more ambitious than the usual straight-to-video suspense film. Stone may have trouble focusing, but despite significant missteps, Savages frequently clicks when other thrillers chug along, and that’s enough of a distinction to warrant a look.