(On Cable TV, April 2013) I was left unimpressed by The Expendables’ mixture of self-satisfied machismo, gory violence and incoherent direction, so to say that this sequel is better than the first one only requires slight improvements. By far the best creative decision taken this time around is to give directing duties away from Sylvester Stallone and to veteran filmmaker Simon West –an inconsistent director, but one who at least knows what he’s doing. The macho bravado and CGI gore is still there, but at least the film doesn’t struggle to make itself understood once the relatively coherent action sequences are put together. The tone is much improved: Rather than trying to be a humorless pastiche of 80s action films, The Expendables 2 regularly acknowledges its own absurdity, whether in the form of stunned one-liners, or avowed deus-ex-cameo plot developments that allow icons such as Chuck Norris, Arnold Schwarzenegger and Bruce Willis to come in a save the day even at the expense of basic suspension of disbelief. As with the first film, it’s the casting that provides much of the entertainment: Sylvester Stallone is still obnoxious in a self-indulgent lead role, but Jason Statham is reliably good, Jean-Claude van Damme relishes his role as an eponymous Vilain, Dolph Lundgren gets a bit more of that “mad chemist” character, while relative newcomer Nan Yu makes a bit of impression as a welcome female presence in the middle of so much testosterone. As far as action is concerned, the beginning of The Expendables 2 is generally getter than its second half for reasons linked to the film’s intention: R-rated Eighties action film were heavy on violence (ie; personalized deaths, usually at gunpoint) while subsequent Nineties PG-13 action films relied more on, well, bloodless action: chases and explosions. This sequel has more action at the beginning, and far more violence at the end, especially when is starts shooting up an airport terminal where no innocent travellers are to be found. Dialogue and plot don’t deserve much of a mention, except to note their role in setting up the action sequences or the terrible self-referential humor. While the film is definitively an improvement over the original, the final result isn’t much more than a routine shoot-‘em up: there is little in The Expendables 2 to spark the imagination or even to discuss once the credits roll. It goes without saying that the entire thing is still an exercise is self-absorbed nostalgia. There is no need for a sequel, even though one is nearly certain given the nature of the franchise.