(On Cable TV, October 2013) Here we go again: beloved kid’s fantasy series transformed into an overblown 3D Hollywood special-effects spectacle with a bit of snark. If the criticism sounds familiar, it’s because it’s been the playbook for just about everything since The Lord of the Rings made so much money. Here, The Wizard of Oz gets a prequel and while the results are familiar, they’re not as bad as they could have been. James Franco may or may not have been the best choice as a con-magician forced to be a hero (with Franco, it’s hard to tell sincerity from laid-back detachment), but director Sam Raimi is certainly in his element in showcasing a bright and colorful Oz in all of its 3D glory. Oz the Great and Powerful is not as derivative as it may first appear: Despite its kinship to L. Frank Baum’s work and the classic 1939 film, it feels relatively new and doesn’t try to ape the first film in its finer details. Michelle Williams, Rachel Weisz and Mila Kunis all do fine work as the three main witches, although it’s Kunis who gets the most interesting material and best make-up work. The visual spectacle is worth a look, and if the film’s so-contemporary hip detachment is its own disservice (because much of Oz should be viewed with pure unadulterated glee), there’s enough here to make the film interesting to adults. The result may not be particularly challenging, but it works well enough, and the de-emphasis placed on straight-up combat in favour of tricks and deception is a welcome change of pace from the usual epic fantasy template.