(On Cable TV, February 2014) While Killing Them Softly has the admirable ambition of using a crime story to tackle much-bigger social and economic themes, it looks as if, along the way, it has forgotten to entertain viewers on a minute-to-minute basis. Adapted from a seventies crime novel but updated to be set in the middle of fall 2008’s presidential/economic crisis, it’s a film that attempts to make parallels between low-level mob desperation and wider social problems. As such, it’s got a lot more ambition than most other crime thrillers out there. It all culminates into a tough but compelling final scene, in which America is unmasked as a business far more than a community, and in which getting paid is the ultimate arbitrator of fairness. Stylistically, Killing Them Softly has a few strong moments, perhaps the most being a slow-motion bullet execution. Alas; it’s so kinetically entertaining as to be atonal with the rest of the film, which takes forever to makes simple points and delights into long extended conversations in-between bursts of violence. Still, Brad Pitt is pretty good as a mob enforcer trying to keep his hands clean (it’s another reminder that he can act, and is willing to do so in low-budgeted features once in a while), while James Gandolfini has a one-scene role as a hit-man made ineffective by his own indulgences. Richard Jenkins also has an intriguing role as a corporate-minded mob middle-man in-between men of violence. Otherwise, though, Killing Them Softly‘s tepid rhythm kills most of its interest: Despite writer/director Andrew Dominik’s skills and lofty intent, the film feels too dull to benefit from its qualities.