(Video on Demand, March 2014) As a plot-driven moviegoer, I’m always a bit frustrated when contemplating movies such as American Hustle: While I had a pretty good time watching the film, much of this enjoyment was based on getting to know the characters, appreciating the gorgeous re-creation of the late 1970s, humming at the soundtrack and enjoying the costumes. Plot? Well, there’s some kind of bare-bones caper/con action going on, but it’s not particularly heartfelt, nor all that interesting once everything has gone down. This a director/actor’s kind of film, and so the real joy of American Hustle is in seeing David O. Russell having so much fun with Christian Bale, Bradley Cooper, Amy Adams and Jennifer Lawrence that all five of them get Oscar nominations. Much of the acclaim is justified: Russell may not be as interested in telling a story than in letting his actors run with the scenery and the costumes, but American Hustle is filled with feel-good energy, tense dramatic confrontations, steady forward rhythm and plenty of laughs. Christian Bale turns in another performance unlike anything seen from him before, while Bradley Cooper carefully undermines his own all-American good-guy image, Amy Adams brings subtlety to a complicated character and Jennifer Lawrence almost makes us forget that she’s roughly ten years too young to play that particular character. Frankly, American Hustle is so successful in what it gets right that it practically minimizes what it doesn’t get so right. It feels scattered, loose, improvisational and filled with badly-tied loose ends. But at the same time, it’s a fun movie and an invigorating viewing experience. Who cares if the plotting isn’t tight enough: At a time where nearly all major cinema releases are excuses for bigger and shakier special effect sequences, it’s almost a relief when a character-based film comes along and ends up being a massive success.