(Video on Demand, February 2015) Perhaps the most interesting thing about Horrible Bosses 2 is the length to which this sequel is determined to follow-up on a film that didn’t need a sequel. I mean; our heroes having gotten rid of their horrible bosses, what’s left to do? Get newer even more horrible bosses? For a short while, as they create their own company and bumble around making terrible mistakes, it almost looks as if the sequel is ready to invert the roles and allow them to become the horrible bosses. But that’s not to last, as they are swindled by a horrible client, stuck with a kidnapping victim with plans of her own, and overextend itself to bring back the two surviving horrible bosses of the previous film. All handled with a slick tone that never gets too far out of control: For all of the potential violence (and sexual debauchery) hinted at, Horrible Bosses 2 knows that it’s meant to be a mainstream comedy and wouldn’t dare go where audiences won’t like. (Although at least one innuendo in the coda is deeply disturbing) Still: the film moves fairly quickly, gives short but striking moments to both Kevin Spacey (as a horrible boss who won’t let prison tone down his disdain for the protagonists) and Jennifer Aniston (once again playing sultry nymphomaniac), whereas leads Jason Bateman, Jason Sudeikis and Charlie Day are once again up to their own comic personas. The film does have a few visually ambitious moments: There is a good business start-up pan shot early on, and the film is never better or more engaging than when the protagonists lay out their plan (which fails horribly, as expected.) Otherwise, Horrible Bosses 2 is a disposable sequel that’s not too difficult to watch –a bit of faint praise, maybe, but also an acknowledgement that it could have been much worse.