(Video on Demand, January 2016) As far as hard unflinching thrillers go, Sicario is a cut above the average. Featuring a merciless look at the increasingly uncivilized war between governments and drug dealers on both sides of the US-Mexico border, this film takes viewers into darkness and doesn’t allow for much light at the end. Our gateway character is a competent police officer drawn into a murky universe in which answers aren’t forthcoming and may be harmful to the soul. Director Denis Villeneuve once again manages a spectacular-looking film: with the help of legendary cinematographer Roger Deakins, Sicario revels in the bleak gorgeousness of the desert and its menacing twilight. The “bridge sequence” is a terrific thrill ride, while the almost-cryptic lines of dialogue do much to suggest an entire universe beyond the words. Emily Blunt is good in the lead role, but Benicio Del Toro and Josh Brolin end up stealing the show at times. Heavy in macho rhetoric against which crashes our protagonist, Sicario has the heft of a big thriller, the likes of which aren’t seen too often in today’s studio environment. Still, it’s not quite a perfect film: The morbid reality of its vision can weigh heavily at times, but the script appears half-polished in the way it switches protagonists during its third act, doesn’t quite maximize its own strengths and occasionally seems unfinished. I wanted to like it a bit more than I did by the end. Still, Sicario stand tall as one of the big thrillers of 2015, and should be good enough to make adult-minded viewers happy with their evening choice.