(On Cable TV, March 2017) Back when Meg Ryan reigned supreme as America’s Sweetheart, the idea of pairing her with American Everyman Tom Hanks seemed like a natural fit, and why not? Seeing Sleepless in Seattle, the result speaks for itself. Unusually structured (the two main characters barely meet for much of the movie) but successful thanks to some wit along the way, the film doesn’t revolutionize anything as much as it shows two actors at the top of their game. A lot of it feels like filler, as befits a narrative that holds back reunion for a climax—there’s some back-and-forth about Ryan’s character “settling” for a comfortable life that feels particularly dragged-out. Still, Sleepless in Seattle remains a bit unusual even twenty-five years later. Some of the father/son dialogue is clever, and the way the film moves forward is almost enough to sidestep how contrived it is. Relying on tired clichés about true love, love at first sight and soulmates destined to meet, it’s not a particularly inspiring movie, but the charm of the two lead actors somewhat compensate for a manufactured hollow core. It’s squarely within the confine of the romantic comedy subgenre, but Sleepless in Seattle does play well with familiar elements, and casts them in sufficiently unusual situations that it almost feels fresh again.