(In French, On Cable TV, May 2018) It’s easy to see why Monkey Business is often considered to be a loose follow-up to Bringing up Baby—Howard Hawks is back with a fast-paced comedy, Cary Grant reprises his silly intellectual mode, Ginger Rogers steps in as the wilder female partner and the film is at its best when it’s just goofing around. Thanks to a high-concept premise (what if a serum gave you back your youth … or at least made you regress back in age mentally?), there are plenty of opportunities for random silliness. The film never gets better than seeing Day play at being a bratty schoolgirl, although seeing Marilyn Monroe vamp it up as a voluptuous secretary is also fun. While it’s technically a science-fiction film, Monkey Business is best seen as a farce reteaming Hawks and Grant together and just having fun along the way. (This being said, the film’s best laugh comes early on in the opening credits sequence, as the director tells Grant “not yet” and to go back behind the door before making an entrance. Alas, the film doesn’t go back to metatextual comedy.) It’s really not quite up to Bringing up Baby’s standards—the film is occasionally annoying (the monkey), occasionally dull (anything with the scientists), occasionally offensive to modern sensibilities (never mind “the secretary”; I have in mind the “Indian scalping” schoolyard playing.) It’s still not a bad time thanks to the aforementioned goofing off, but it could have been better.