(On TV, June 2018) There’s a weird, weird quality to Laura—a film noir with a dead protagonist overpowering all other characters, a hilariously unprofessional investigation and a literal ticking-clock denouement. And yet director Otto Preminger keeps all the elements in good balance, delivering a film noir that works almost better as a study of obsession than a straight-up murder story. Having actors such a Gene Tierney (suitably entrancing as Laura), Dane Andrews, Clifton Webb and Vincent Price (well before he became the prince of horror) also helps. The result is actually kind of delicious, what with the good dialogue, unusual structure (so that you’re not watching the same darn thing) and stylistic touches. Laura amounts to a surprisingly good film, perhaps not a core film noir but certainly adjacent to it.