(Second viewing, On Cable TV, June 2018) I recall seeing The Gay Divorcee in university, having borrowed the VHS tape from the university library to finally see what the fuss was about Fred Astaire. I loved it then and I’m still loving it now—perhaps especially even more so given that I’ve been diving deep into classic movies lately, no longer making much of a difference between colour and black-and-white, and being able to place the film in its proper context. While its sexual ethics are dodgy (Astaire comes across as a bit of a creep who can’t take a “no” in some early scenes), the film easily hits high points whenever Astaire and Ginger Rogers start dancing. Some great numbers are in here, including “The Continental”, the silly “Let’s Knock Knees” (which I still remembered from a previous viewing twenty years ago) and the romantic “Night and Day”. Still, the story itself has its comic highlights, with supporting actors playing broad comic archetypes and some very good dialogue along the way. The Gay Divorcee is not a great movie (and even as an Astaire one it paved the way to bigger successes) but it’s an enduring one because it’s fun.