(On DVD, September 2018) Alfred Hitchcock, Cary Grant and Ingrid Bergman. I could just stop here and that’s all you’d need to know about Notorious. If you really want to know more, consider that it’s a romantic suspense thriller in which an American agent asks the daughter of a disgraced man to offer herself as bait to enemy agents, with the complication that he himself is falling for the woman. (If this sounds familiar, it’s because it’s been re-used in many, many other movies such as Mission: Impossible II) But, of course, the plot is the least of the film’s strengths, what with Hitchcock gleefully messing with the conventions of the romantic thriller and the limitations of the Hays code to deliver a two-minutes on-screen kiss. It’s good fun, especially when you measure today’s expectations against what’s shown in the film. (Ten minutes in, and there’s a drunk-driving sequence that would be flat-out unacceptable today.) The ending is a bit abrupt but no less satisfying. Grant and Bergman are at their respective best here, even though they’re both playing darker version of their usual persona. Still, Notorious remains a worthy Hitchcock thriller from his black-and-white Hollywood phase.