(Kanopy Streaming, October 2018) Considering that Ingmar Bergman’s The Seventh’s Seal is often cited (not always favourably) as being the quintessential European art-house film, I approached the film with some caution. I don’t particularly like the kind of film that The Seventh Seal is said to typify, and was expecting the worst and the dullest. Considering these expectations, I was pleasantly surprised … but not much. Nor by much. But the film is rather more amusing than expected—absurd, profound, visually inventive at times but especially funnier in a dark fashion. Needless to say, “better than expected” isn’t much of a recommendation—I still found it long, meandering, atonal and trying, but it wasn’t quite as bad as I feared. This doesn’t quite translate into a recommendation, but no matter—The Seventh Seal’s reputation in history is secure, and I’m not going to make much of a dent in it … nor will I add much more to this review.