Ladyhawke (1985)

(On Cable TV, March 2019) While Ladyhawke is certainly part of the 1980s fantasy film boom, it does have a few distinguishing elements to help it stand out from the crowd … good and bad. Let’s mention the bad one first: a music score of pop synthesizers, completely incongruous to the kind of orchestral score that fantasy films usually get. If you can get past that (not an easy feat considering that it wallpapers the film), the rest of the film is not too bad. There’s a very pleasant tactile feel to the physical effects, in ways that newer fantasy films so reliant on CGI can’t quite match. Michelle Pfeiffer has an interesting role as a short-haired heroine. Matthew Broderick is almost a walk-on extra in his own movie, helping two bigger heroes. There’s some romanticism to the star-crossed lovers fantasy premise, fated never to meet due to them being transformed in animals whether it’s day or night. It’s all directed with some competence by Richard Donner, no stranger to SFX spectacles in the analog era. Ultimately, it’s the narrow scope of Ladyhawke’s fantastic premise that makes it work—it’s not too ambitious relative to its ability to show the story on-screen, and that makes it work better than many fantasy films of the time.