The Unknown (1927)

(On Cable TV, March 2019) Contemporary viewers may decry the violence, vulgarity and provocativeness of today’s cinema, but the truth is that the frontier between moviemaking and sensational freak-show has never been all that clear, even during the first decades of the medium. In The Unknown, for instance, we can recognize the huckster’s instinct to show audiences something they may never admit they crave. Consider this: Lon Chaney stars as a circus attraction: a man without arms, who can throw knives and shoot a rifle with his feet. Except that he does have arms, tightly bound behind him: his characteristic double-thumb would easily identify him as a wanted criminal. Working at the circus is a good way to fly under the watch of police authorities … that is, until he falls for another circus worker (played by Joan Crawford) who cannot bear a man’s touch yet is desired by another man. More murder and terrible ironies abound in the rest of the picture. The story is simplistic, with much of the ending telegraphed well in advance, but there is one unnerving plot development midway through, and even the expected twists and turns help in making this an essential silent melodrama. Yes, The Unknown is lurid … but audiences then and now willingly paid to see this stuff.