The Color of Money (1986)

(In French, On Cable TV, May 2019) I’m one of those weirdos that doesn’t particularly care for the original The Hustler (1961), so I was coming to The Color of Money with low expectations. Which may have worked to the later film’s advantage, as I found it more interesting than its predecessor. It helps that this follow-up does what sequels often loath to do—use the previous film as back-story while telling a new story in which returning characters are developed in interesting ways. Much of the credit for this creative intention goes directly to the authors of the novel from which The Color of Money is adapted, who conceived it as a sequel to the novel that spawned The Hustler. Paul Newman is back as a former professional pool player, now more interested in staking bets for younger players. Playing against him is Tom Cruise as a younger, more impulsive player, and the great-looking Mary Elizabeth Mastrantonio as the third party in their merry crew. (Plus, John Turturro as an evil hustler.)  The relationship between the three characters is what sustains The Color of Money on its way to the final tournament in Atlantic City, with everyone changing and allying themselves differently every few scenes. The middle of the film even sees a significant plot rearrangement, as the mentor/mentee relationship gives way to the mentor getting himself back into the game. While not quite as dramatic as its twenty-five-year distant prequel, The Color of Money nonetheless makes for fascinating viewing. Director Martin Scorsese being Scorsese, there are a few technically impressive shots here, as well as new ways of showing familiar things—most notable being the pool-as-tennis sequence, and some shorts from the perspective of the ball. The ending isn’t particularly cheery, but it does work to cap off the film in a satisfying way. It’s not quite as ambitious or universal as The Hustler, but The Color of Money does feel more enjoyable.