Killing Hasselhoff (2017)

(On Cable TV, June 2019) The popularity of novelty songs has waned through the years, but the concept itself is sound—a piece of music meant to amuse more than anything else, and where the musical qualities aren’t meant to be at the forefront. With Killing Hasselhoff, I’m wondering if we need “novelty film” in our vocabulary—a film meant to tickle memes and jokes around a piece of pop culture. Heck, maybe those films would even be better if they were even more self-aware of their intentions. Many of them could take lessons from Killing Hasselhoff, as it fully gives in to the enduring popularity of TV star David Hasselhoff in the twenty-first century. It’s meant to be a silly self-aware low-budget comedy playing around a two-word high concept and it doesn’t do too badly within that framework. There’s an interesting cast onboard: Ken Jeong gets a leading role as a nightclub owner who gets desperate to pay off his debt, Jon Lovitz is not annoying (for once), Colton Dunn is very funny as a gay assassin and then, of course, there’s The Hoff playing a caricature of himself. It’s not meant to be refined: The situations are usually contrived (how many Baywatch and Knight Rider references can you fit in a single film?) and the dialogue is far too blunt at times. But there are a few laughs here and there for those who enjoy low-budget comedies. That’s all a bonus, considering that most people will watch Killing Hasselhoff just because it happens to be available on cable or streaming service, and they won’t be able to resist the premise-in-a-title. Don’t expect much beyond the novelty aspect of the film and you just may be surprised.