Death Wish 2 (1982)

(In French, On Cable TV, July 2019) The original 1974 Death Wish was a piece of exploitation filmmaking relying on the revenge fantasies of its audiences, but it could at least point to the growing urban crime rates in mid-seventies American cities as justification. It clearly expressed something about its times and refrained from a number of excesses—There was a feeling, pervasive throughout many of the similar gritty urban thriller of the 1970s, that while satisfying on a primal level, this kind of revenge was not a good thing, either for the protagonist or for everyone around him. Sequel Death Wish 2 from a slightly different time, as the bleak realism of the 1970s was being transformed into the violent escapism of the 1980s. Relocating to bright sunny California, this sequel follows the mild-mannered protagonist (played by Charles Bronson, still one of the most confounding choices for an action hero) as his daughter (and maid; let’s not forget about the maid) are assaulted, raped or killed by hippie hoodlums. In keeping with series tradition (with Jeff Goldblum being in the first film in a minor role as a hoodlum), here we have Lawrence Fishburne in a small role as a hoodlum who assaults, rapes, kills, etc., all of the protagonist’s female acquaintances. Cue the bloody revenge, this time with far less soul-searching given that the protagonist has done this before and because audiences expect the kills rather than the personal anguish. Police are once again useless in the neon demimonde of L.A. at night, although there’s a nod to the events of the first film as the police suspect but cannot prove that our death-thirsty protagonist is behind the escalating mayhem. There may be something interesting in how the film must create a bleak universe of rampant urban crime in order to justify its ludicrous plot (read comments made by the film’s producer and screenwriter for some distasteful justifications) but the problem is that since 1982 we’ve seen this manoeuvre make its way from movies to national politics with terrifying results. The manoeuvre is transparent and as a result Death Wish 2 never earns the sympathy for the victims that would propel it forward. Instead, it’s laid bare for exactly what it is: an exploitative cash grab playing serious issues for not much more than cynical thrills.