Can You Ever Forgive Me? (2018)

(On Cable TV, August 2019) Like many cinephiles, I was quite impressed when Melissa McCarthy suddenly became a comedy superstar thanks to a remarkable comic performance in Bridesmaids. It was an overnight success years in the making, thanks to several well-regarded supporting appearances in various projects, but it cemented her comic persona as that of an obnoxious loudmouth. That kind of comedy based on deliberate irritation, as many others can testify, is only good until you get overexposed and suddenly becomes a liability. So, it’s smart for McCarthy to try to switch her image before it’s too late. She went in that direction with her supporting role in St. Vincent, but it’s with Can You Ever Forgive Me? that she really takes the chance of a lead role in a very different register. Here she plays in a docu-fictive drama about Lee Israel, a difficult and down-on-her-luck writer who turns to celebrity letter forgery as a way to make money. It turns into a nice revenue stream, but ambition eventually gets the better of her as the forgeries are exposed and the FBI closes in. Where I found the film most fascinating, though, was in its immersion in the Manhattan literary culture of the 1980s, made of collectors, authors, editors and associated personalities. I was very, very amused to see an actor portraying Tom Clancy (as an insufferable bore, no less) show up in the middle of a party scene, and charmed at the depiction of the written-word ecosystem exposed bare. McCarthy is superbly restrained here, taking a frumpy middle-aged character with finesse and dignity. Considering the times we’re in, this won’t be the last film about fakers and con artists, but I can definitely stomach this one, and being able to like McCarthy’s work here is a good chunk of it.