The Purple Rose of Cairo (1985)

(On Cable TV, October 2019) OK, this was a fun one—in a decade when Woody Allen movies started with the introspective Stardust Memories telling us about his “earlier, funnier ones” and moved on to what would become Allen’s contemporary blend of gentle comedy and drama (culminating in Manhattan Murder Mystery, which would best exemplify Allen’s tone for a while), The Purple Rose of Cairo stands out as a metafictional high-concept homage to 1930s film. The plot gets going in a Depression-era small-town, as a young woman with problems escapes to the movies … and has the star walking off the screen to meet her. They fall in love, but the best part of the film is how it keeps poking at its premise and developing a little bit farther than strictly necessary, having some fun along the way. (Real life doesn’t fade to black in intimate scenes, for instance.) Some of the development does leave us wanting more, though—the brief mentions of other actors springing to life do land us in a territory that is never properly explored. The recreation of a 1930s comedy film is convincing and a delight if you’re familiar with the era. The bittersweet ending is disappointing, though: a bit more light would have been helpful, although the protagonist finds herself in a better place if only for not being stuck in the same relationship. Still, compared to other Allen movies of the era (the bizarre Zelig excepted), The Purple Rose of Cairo does feel more high-concept, funnier, breezier.