Aidan Quinn

Desperately Seeking Susan (1985)

Desperately Seeking Susan (1985)

(In French, On Cable TV, July 2019) There are two reasons to watch Desperately Seeking Susan, and both involve a bit of time travel. The first is a look at mid-1980s Madonna, before she started exposing herself (in all senses of the word) as an in-your-face sex symbol. It turns out that naturalistic Madonna was an incredibly cute performer, and some of the best moments of the film revolve around her smashing through the other character’s suburban lives. The other reason to watch the film has something to do with director Susan Seidelman’s portrayal of the mid-1980s New York City bohemian subculture, living at night in between the big buildings of the city. Rosanna Arquette is nominally the film’s protagonist, but she gets overshadowed, by design, by flashier performers—including early turns from John Turturro, Laurie Metcalf, Aidan Quinn (as a Byronian hero) and Steven Wright. The plot is refreshingly indescribable, belonging to the “one-damn-thing-after-another” school of screenwriting where weirdness and strange encounters (and dropped subplots) aren’t necessarily flaws to be corrected. Desperately Seeking Susan is not quite your usual bored-housewife, free-spirit film and that’s to its advantage. I only moderately liked it, but it’s certainly something else even today.

Benny & Joon (1993)

Benny & Joon (1993)

(In French, On Cable TV, May 2019) By now, I’ve seen enough movies about mental illness that I’ve grown immune to most of the usual ways the topic can be approached. But not every film about mental illness has to be a tear-jerky emotionally disturbing drama, and that may explain my tepid liking for Benny & Joon: While there is something to be said about its occasionally twee take on two non-neurotypical people finding love, it does dare to try something else. Much of the film rests on the very different performances from its lead actors, from Aidan Quinn’s quiet Benny to Mary Stuart Masterson as the schizophrenic Joon, but especially Johnny Depp’s impressive performance going through silent film-inspired comedy routines. The rest of the cast features many known actors even in small roles, from Julianne Moore (playing an ex-exploitation film actress), to Oliver Platt, C. C. H. Pounder, Dan Hedaya and William H. Macy. It can also rely on a charming small-town atmosphere, even when things aren’t going so well for our characters. Soundtrack fans should be aware that Benny & Joon does a lot of mileage to the very familiar tune of “500 Miles.”  After a bit of a romantic fantasy, the film eventually confronts the reality of living with a schizophrenic person, but in a way that ensures it will end well. Which, which optimistic, is not a bad message on which to end those kinds of movies.