Linda Darnell

Forever Amber (1947)

Forever Amber (1947)

(On Cable TV, March 2019) Historically, Forever Amber was the anticipated Great Blockbuster of its time. Billed as the next Gone with the Wind, adapted from a salacious blockbuster, showcasing actors that the studio was grooming for stardom, it was Fox’s most expensive film at the time … something not help by a troubled production that saw incredible delays, director Otto Preminger taking over the ongoing shoot, and multiple actors (including its female lead) replaced midway through. It set opening week box-office records, although the overall returns for the film remained in the red due to the very high budget. All of this is immaterial to modern viewers encountering the movie absent from its production context. Fortunately, enough of the budget still shows up on the screen to impress. As a costume drama cranked to ten, Forever Amber benefits from its lavish colour cinematography, amazing costumes and a lead actress, Linda Darnell, who looks amazing in red hair and very detailed dresses. The stylized nature of the film, set in late 17th century England, helps it age gracefully as a historical recreation (albeit filtered through the lenses of the 1940s). George Sanders is also remarkable as Charles II. Plot-wise, the film isn’t quite as impressive: the melodrama is extreme (a lot of people die, all things considered), although the amount of not-so-softened sexual content is surprising coming from a film of its time—but it does make the film feel more modern than it is. (A curious facet of the Production Code years is that filmmakers could get away with more risqué material if they were adapting a best-selling novel.) The plot, as per the original book, is not meant to end well. Still, Forever Amber remains an impressive spectacle if you like costume dramas and enjoy the kind of overwrought style of Golden-age Hollywood.

The Mark of Zorro (1940)

The Mark of Zorro (1940)

(On Cable TV, May 2018) In some ways, there really isn’t anything new in The Mark of Zorro if you’d seen, say, the 1998 remake of it or have been immersed in pop culture for the past few decades: It’s a bog-standard story in which virtue triumph over perfidy after a fair amount of sword fighting. On the other hand, there is something to be said about execution, and that’s why there’s no tiring of The Mark of Zorro even if you’ve seen the 1920 version, the 1998 version, the 1980s parody, the Batman origin stories or any of the unacknowledged inheritors of the swashbuckling tradition. Tyrone Power makes for a fantastic hero, Linda Darnell has the whole damsel-in-distress thing locked down, and Basil Rathbone is simply awe-inspiring as a henchman more interesting than the main villain. The closing Power/Rathbone confrontation is a physical tour-de-force that hits all of the classic tropes of swordfights (cut candles, climbing on furniture, witty repartee) in a way that will leave no one unsatisfied. Seriously, if you watch nothing else, then fast-forward to the final sword fight—it will make you watch the entire film. Old and yet still bold, The Mark of Zorro amply justifies its lasting reputation as one of the finest swashbuckling epics of all time.