Mary Stuart Masterson

Some Kind of Wonderful (1987)

Some Kind of Wonderful (1987)

(On Cable TV, July 2019) Now that I’ve seen Some Kind of Wonderful, I think I’ve completed the high points of my John Hughes filmography. Hugues only wrote this film (it was directed by Hughes stalwart Howard Deutch), but it’s clearly his movie, and a response to previous scripts of his. Eric Stoltz stars as an unconventional teenager lusting after the unapproachable girl in his class yet blind to the affection of his own tomboy best friend. It’s not a complicated premise (and you already know how it’s going to end) but it’s the details and the performances along the way that make it worthwhile. Lea Thompson and Mary Stuart Masterson make for a ridiculously good pair of duelling romantic interests for the protagonist, while Craig Sheffer plays the unlikable ex-boyfriend perfectly and Elias Koteas has a surprisingly engaging turn as a skinhead. There are a few rough spots along the way (I’m not happy about the 180 romantic turn that the film takes very late—I mean, I know where it was going to end, but I just wish the transition would have been smoother), but if you like the 1980s Hughes teen comedies, Some Kind of Wonderful is probably one of his savvier scripts even if it lacks the spark that made some of his other movies become classics.

Benny & Joon (1993)

Benny & Joon (1993)

(In French, On Cable TV, May 2019) By now, I’ve seen enough movies about mental illness that I’ve grown immune to most of the usual ways the topic can be approached. But not every film about mental illness has to be a tear-jerky emotionally disturbing drama, and that may explain my tepid liking for Benny & Joon: While there is something to be said about its occasionally twee take on two non-neurotypical people finding love, it does dare to try something else. Much of the film rests on the very different performances from its lead actors, from Aidan Quinn’s quiet Benny to Mary Stuart Masterson as the schizophrenic Joon, but especially Johnny Depp’s impressive performance going through silent film-inspired comedy routines. The rest of the cast features many known actors even in small roles, from Julianne Moore (playing an ex-exploitation film actress), to Oliver Platt, C. C. H. Pounder, Dan Hedaya and William H. Macy. It can also rely on a charming small-town atmosphere, even when things aren’t going so well for our characters. Soundtrack fans should be aware that Benny & Joon does a lot of mileage to the very familiar tune of “500 Miles.”  After a bit of a romantic fantasy, the film eventually confronts the reality of living with a schizophrenic person, but in a way that ensures it will end well. Which, which optimistic, is not a bad message on which to end those kinds of movies.