(Second viewing, On DVD, March 2017) If memory serves me right, I saw Jurassic Park on opening night, which happened to be my last day of high school classes. A fitting anecdote for a movie that pretty much redefined the modern blockbuster, with top-notch special effects, near-perfect direction by Steven Spielberg and iconic performances that are still references even today. Revisiting Jurassic Park nearly twenty-five years later is not unpleasant. The movie holds up far better than most of its contemporaries—the blend of practical and digital effects is still largely effective and the pacing of the movie remains exemplary. In-between Sam Neil, Laura Dern, peak-era Jeff Goldblum and Richard Attenborough (not to mention Samuel L. Jackson in a minor role!), the movie benefits from an embarrassment of thespian riches. Still, the star here is Spielberg—Other than Jaws (which I’ll revisit soon) I’m not sure he’s directed a better suspense film than Jurassic Park—the T-Rex sequence is an anthology piece, but the Raptor climax is really good, and there’s something justifiably wondrous about the first glimpse at the dinosaurs (ba-ba-baaa, ba-ba). Ironically, the thing that dates the film most are the glimpses at the computer screens—the CGI itself, save from some imperfect compositing, is still pretty good. It helps a lot that the script is so slick at what it does—from the “Mr. DNA” exposition sequence to the great way in which the script improves upon Michael Crichton’s original novel (which was quite a bit more scattered and needlessly dark), David Koepp’s work on the script remains exemplary. Jurassic Park is the complete package: great lines, great actors, great direction, great scenes, and great special effects. It remains a landmark for a reason, and could be the best movie of 1993 if it wasn’t for that other Spielberg film Schindler’s List. Two near-perfect movie in a single year: peak-Spielberg time.