Barbara Carrera

  • Lone Wolf McQuade (1983)

    Lone Wolf McQuade (1983)

    (In French, On TV, June 2019) There is something true in the assertion that once you’ve seen a Chuck Norris film you’ve seen them all, and it’s certainly not going to be disproven by the generic Lone Wolf McQuade, where a rather great title can’t hide that this is Norris playing the same Norris. This time, he’s a rebellious Texas Ranger who (what else) is on the trail of an evil drug lord. He carries a .44 Magnum. He has a pet wolf. The drug lord is played by David Carradine. The love interest is played by the very cute Barbara Carrera. I’m not sure that there’s anything of substance to add to those facts. As directed by Steve Carver, the film is slightly more cinematographically ambitious than many of Norris’s other movies, clearly going for a Leone-type modern western in the American southwest. Still, Lone Wolf McQuade doesn’t have a whole lot to care about: There are few surprises here, although the sometimes-blunt execution does have a rough-hewn charm. Norris fans already know if they’re going to like it.

  • Never Say Never Again (1983)

    Never Say Never Again (1983)

    (Second viewing, On DVD, October 2018) There aren’t that many good creative reasons for Never Say Never Again to exist. It’s a movie that owes its existence to a rift between the original James Bond movie creators, resulting in the rights to the Thunderball story and Spectre as a plot element being given to someone other than Eon Productions. Money is a powerful motivator, and so we ended up with a legal James Bond movie not made by the usual Bond people, but somehow starring Sean Connery in one last go at the character, graying temples and all. The story itself is a blatant remake of Thunderball, not only with stolen nuclear weapons being used as a plot driver, but with similar narrative stops at a health clinic and fancy yacht, not to mention similar character names. While the film’s pacing sharply improves upon Thunderball-era Bond, most of the “updates” affirm the early-eighties origins of the film more than anything else—there’s a particularly funny sequence involving Bond battling it out with the villain not on the casino table, but in a video game with deadly controls. That part really hasn’t aged well. But what did age well is Connery himself—there’s a real treat in seeing him, obviously older, taking up the character once more. Speaking of aging well, it’s also fun to see Kim Basinger in an early role (sheer aerobics jumpsuit and all), but it’s a reminder that she looks just as fine today than back then—and she’s now a far better actress too. This being said, Barbara Carrera is often more striking than Basinger, with a villainess role that she embraces with a relish rarely seen from other Bond girls. Klaus Maria Brandauer is not bad as the film’s overall villain, and Rowan Atkinson shows up in a small bumbling role. While Bond’s sexual conquests are still dodgy, they do feel like a step up from the original Thunderball, and the film is notable for suggesting that Bond will live happily ever after in a committed relationship. It ends up being a decent swan song for Connery, far better than the ludicrous Diamonds are Forever. While Never Say Never Again is not part of the official Bond continuity (and probably won’t ever be, even if the film’s rights are now owned by MGM) it does fit in a Bond completist’s viewing order: It’s not a great Bond, maybe not even a good Bond, but it’s worth a look especially if you’re going through the entire series.