(On Cable TV, March 2016) The disaster movie will never die. Indeed, buoyed by advances in special-effects technology, it will rise again and again, more overblown and chaotic than ever before. If you thought that 2012’s earthquake sequences were as good that they were likely to get, prepare to be amazed by San Andreas’s wide-screen mayhem as Los Angeles and then San Francisco gets thoroughly trashed by a number of unimaginably powerful earthquakes. Dwayne Johnson anchors the film as its muscular protagonist, equally able to commandeer a helicopter for personal gain as he is to fly a small plane and provide first-aid. All of which turn out to be helpful when comes the time to go rescue his daughter from the elements. San Andreas is, to put it bluntly, a fairly dumb movie: The laws of physics are ignored, logic is downplayed, characters a mere plot puppets and nothing is as important as the CGI destruction shown on-screen. Even for a blunt disaster movie, it sometimes overplays its hand: Paul Giamatti does his best as the voice of exposition, while Alexandra Daddario is overexposed in centre-frame as a curvaceous object of desire. (I wouldn’t normally complain, except that in this case, there’s something extra-blatant in the way the movie shows her off and her character is supposed to be a teenager. Also, I’m getting old.) On the other hand, San Andreas is a cunning movie: Everything is engineered for the wow-factor, from some spectacular moments in which major California cities are torn apart to showcase sequences in which a character runs (in a single long shot) to escape to a building’s roof while skyscrapers are toppling all around downtown LA. It takes more than a little ingenuity to cram that much spectacle in a single film, and both the screenwriter Carlton Cuse and director Brad Peyton have to be congratulated (if that’s the right word) for delivering a film so committed to the base ideals of a disaster film. While the result may not be respectable, it springs to mind as a demo disc to show off any new home theatre improvement.