Christophe Gans

  • Necronomicon (1993)

    Necronomicon (1993)

    (In French, On Cable TV, June 2021) Horror anthology films are a roll of the dice every time — not only are the films themselves a gamble, but so are their individual segments as well. Necronomicon has the distinction of focusing on adaptations of Lovecraft’s short stories, but that’s about all that the segments have in common. The framing device has Jeffrey Combs playing Lovecraft as he reads the Book of the Dead in an evil library — not a bad concept, but clearly not the meat of the film either. The rest is uneven. The first segment, “The Drowned,” has some marine chills and an authentic Lovecraftian monster as an antagonist. Follow-up “The Cold” is a more domestic piece that gets away from classic Lovecraftian mythos to deliver an ill-fated romance between a male prey and a female monster (although it does feature David Warner). Final segment “Whispers” is thankfully crazier, going back and forth between reality and fantasy and climaxing with an insane kind of revelation that’s both fun and makes the segment rather pointless. Behind the scenes, there are some impressive names in the crew, from Brian Yuzna to Tom Savini to Christophe Gans. But the result doesn’t quite match the intent — Necronomicon is watchable without being memorable, and there’s a feeling that the tight budget may have limited some ambitions. It’s likely that a modern attempt at the same would be closer to its intentions due to digital special effects technology. More substantially, there’s something regrettable in seeing that the “Lovecraftian” horrors conjured here are about the flash of gooey creatures more than the headier cosmic horror often found in the author’s work. But that’s evaluating Necronomicon based on later, loftier standards — it does remain a decent piece of 1990s horror, and one thankfully focused on supernatural creatures rather than psycho slashers.

  • La belle et la bête [The Beauty and the Beast] (2014)

    La belle et la bête [The Beauty and the Beast] (2014)

    (On TV, April 2020) Considering the innate French-ness of most interpretations of The Beauty and the Beast story, from Gabrielle-Suzanne de Villeneuve to Cocteau’s first film version to both of Disney’s takes, it’s somewhat rightful that it should get another French-produced version. Fortunately, the Christophe Gans version of La belle et la bête is a sumptuous, even lavish adaptation that does offer a very nice counterpoint to other takes on the tale. Propelled by the legacy of Cocteau, it offers an unabashedly romantic take on the tale, boosted by sumptuous set design, great cinematography, magnificent visuals, as well as decent (if sometimes uneven) special effects used in interesting ways. The flip side to such a production is that it can feel insubstantial at times, especially if the romantic aspect doesn’t quite hit like it should. Also troublesome is the 19-year age difference between leads Léa Seydoux and Vincent Cassel, although considering that he starts as a monstrous man-beast isolated for decades in his castle, that’s not really as irritating as you’d think. By adding a lot of extraneous details, such as flashbacks to family affairs, the film does take a while to gel and, even then, may test the patience of some viewers not entirely taken by the poetic romanticism of the tale. Still, this take on La belle et la bête is a beautiful, remarkable film, well worth seeing even if you overdose on the Disney versions.